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beginnings and endings: The Eagles end their American tour by performing the first-ever concert at Rio Tinto in Sandy. Click Arts&Life index for a link to story. / Photo by Ben Hansen, special contributor

Today's word on journalism

May 12, 2009

The Last WORD


The Fat Lady Sings, Off-Key, Drools

At about this time every year, like the swallows to Capistrano or the buzzards to Hinckley, Ohio, the WORD migrates to its summer musing grounds at the sanitarium —St. Mumbles Home for the Terminally Verbose.

The reason is clear, and never moreso than as this season —the WORD's 13th —peters out.

It's been a fraught year of high palaver and eye-popping transition, both good and not-so-much. An interminable presidential campaign saga finally did end, and in extraordinary and historic fashion. Meanwhile, the bottom and everything that's below the bottom fell out of the economy, with families, homes, entire industries and —of particular interest to WORDsters and the civic-minded —dozens of daily newspapers ("I don't so much mind that newspapers are dying--it's watching them commit suicide that pisses me off." --Molly Ivins). . . all evaporating. What replaces them, from the individual to the institutional to the societal? Are we looking at a future of in-depth Tweeting?

As any newsperson or firehorse knows, it's hard to turn your back on day-to-day catastrophe --we just have to look at the car wreck. But even the most deranged and driven need a rest. As philosopher Lilly Tomlin once observed, "No matter how cynical you become, it's never enough to keep up."

So this morning, as a near-frost hovered over northern Utah, the unmarked van pulled into the driveway and the gentle, soft-spoken men in the white coats rolled the WORD out of bed and into a straitjacket for the usual summer trip to St. Mumbles, where the blathering one will be assigned a hammock and fed soothing, healthy foods --like tapioca, dog biscuits and salmon --while recharging the essential muscles of cynicism, outrage, sarcasm, social engagement and high-mindedness, in preparation for the next edition.
Summer well, friends.

Speak up! Comment on the WORD at

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Feedback and suggestions--printable and otherwise--always welcome. "There are no false opinions."

Monster Circus a rocker's Vegas

TWISTED: Dee Snider flashes the horns to the crowd. / Photos by Ben Hansen

By Ben Hansen, special contributor

May 1, 2009 | Have you ever been to a rock 'n' roll circus before? If you are planning a trip to Las Vegas in the next couple of months, you will definitely want to figure this into your plans.

Monster Circus is a new Vegas Show, performed at the Las Vegas Hilton Theater several nights a week. The show is the brainchild of Great White guitarist Tony Montana, who has assembled a band of world-renown talent, consisting of himself, guitarist/vocalist John Corabi (Motley Crue), guitarist Dave Kushner (Velvet Revolver), bassist Rudy Sarzo (Ozzy Osbourne, Quiet Riot), and drummer Fred Coury (Cinderella). The show combines anthem rock classics from each band member's prior bands, along with classic rock favorites, circus acts, and sexy rock dancers. This was a show that I had to go see for myself.

The party kicked off at 11 p.m. in Las Vegas and quickly got straight to business, delivering an instantly pleasing cover of Motley Crue's early fist pounder, Live Wire. Dancers seemed to appear from every corner of the stage, indulging in the debauchery that was strewn forth from the stage all over the audience. The audience knew almost immediately that this show was going to deliver.

It took me a song or two to identify, but sure enough, Velvet Revolver axe man extraordinaire Dave Kushner was in the band this evening, and rolled the band straight into the second song in the set ­ Slither ­ from his own Velvet Revolver's first album.

Both John Corabi and Tony Montana switched off vocal duties through these and Judas Priest's You've Got Another Thing Coming. During the Priest cover, an audience member was brought up to try to jam (a la guitar hero style and projected onto video screens for the audience to watch) with the band. Corabi gave the gentleman a band T-shirt after a somewhat above average performance on the game, while jesting to him him, "If you would have just gotten 2 percentage points better, we'd be giving you one of our dancers to take home instead!"

Six songs into the set, the night lit up like the Vegas Strip as Dee Snider stormed onto the stage. The audience applause was thunderous as he jokingly shouted to the audience, "Nice…now be seated." Dee them belted out the opening lyrics to his Twisted Sister classic We're Not Gonna Take It, met word for word with the audience singing along.

Dee delivered high note after high note on several other covers throughout the evening, including classics Rock You Like a Hurricane by the Scorpions and Highway to Hell by ACDC. Just before the ACDC cover, Snider made us all remember our devotion to rock by reminiscing on when it is appropriate to use the "horns," while recalling his own experience watching Ronnie James Dio introduce the gesture in the early '80s. Dee stretched his arm to the audience, symbol outstretched on his hand, proclaiming, "This is OUR symbol! We represent this…explain to me when P-Diddy started going like this? And when did the Jonas Brothers start doing this? There is something SERIOUSLY wrong!"

With Dee leading the way, Rudy Sarzo, Tony Montana, and John Corabi all took turns performing in the aisles, and directly on top of some of the seats in the audience. This show, in all terms, was literally taken directly to the audience. I was the benefactor of a face to face lyric with Snider and Sarzo jamming on his bass directly over audience members, prompting them to stay enthralled and out of their seats throughout the set.

After an exceptional double encore of Twisted Sister's I Wanna Rock and Quiet Riot's Mental Health, the band closed out the evening by offering up an enormous birthday cake to their own John Corabi, complete with an upside down "50" candle.

In summary, this show delivered what rock was all about, with tons of extra visual elements that helped put it over the top. This is a must-see for any die hard rock fan from the 80's genre, and well worth the short trip to Vegas, with or without Dee Snider performing as a guest with the band. Don't forget to book early, as the fans in the closest seats definitely get the most in-the-audience interaction with the band.

For more information on Monster Circus, check out www.myspace.com/monstercircuslasvegas

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