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Today's word on journalism

May 12, 2009

The Last WORD


The Fat Lady Sings, Off-Key, Drools

At about this time every year, like the swallows to Capistrano or the buzzards to Hinckley, Ohio, the WORD migrates to its summer musing grounds at the sanitarium —St. Mumbles Home for the Terminally Verbose.

The reason is clear, and never moreso than as this season —the WORD's 13th —peters out.

It's been a fraught year of high palaver and eye-popping transition, both good and not-so-much. An interminable presidential campaign saga finally did end, and in extraordinary and historic fashion. Meanwhile, the bottom and everything that's below the bottom fell out of the economy, with families, homes, entire industries and —of particular interest to WORDsters and the civic-minded —dozens of daily newspapers ("I don't so much mind that newspapers are dying--it's watching them commit suicide that pisses me off." --Molly Ivins). . . all evaporating. What replaces them, from the individual to the institutional to the societal? Are we looking at a future of in-depth Tweeting?

As any newsperson or firehorse knows, it's hard to turn your back on day-to-day catastrophe --we just have to look at the car wreck. But even the most deranged and driven need a rest. As philosopher Lilly Tomlin once observed, "No matter how cynical you become, it's never enough to keep up."

So this morning, as a near-frost hovered over northern Utah, the unmarked van pulled into the driveway and the gentle, soft-spoken men in the white coats rolled the WORD out of bed and into a straitjacket for the usual summer trip to St. Mumbles, where the blathering one will be assigned a hammock and fed soothing, healthy foods --like tapioca, dog biscuits and salmon --while recharging the essential muscles of cynicism, outrage, sarcasm, social engagement and high-mindedness, in preparation for the next edition.
Summer well, friends.

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Feedback and suggestions--printable and otherwise--always welcome. "There are no false opinions."

Logan's music lovers say why not, flock to Why Sound

By Ty Mortensen

May 5, 2009 | LOGAN -- After booking bands from Austria, Japan and Canada during its first year, Why Sound is feeling pretty good about how things have shaped out for their unique business. It's the only music venue in Cache Valley, and it all started on the East Coast.

Tim Moes grew up in New Jersey where he first picked up a guitar. The pursuit of music led him to Boston where he studied commercial engineering and music composition at Berklee College of Music before moving to the Big Apple in 1992. Moes arrived in New York and went on to receive a master's degree in composition from the Manhattan School of Music.

With a love for music, and an extensive education in composition, Moes wanted to make a profession out of music, but he had difficulty finding work.

"As a composer you basically have to starve or teach, and I don't think I'm much of a teacher," said Moes.

Moes finally decided to start doing recording, after jobs turned up fruitless in his field of expertise.

After 14 rigorous years in New York City, Moes had become worn out. The now seasoned music recorder was grateful for the things he learned, but the time had come to move on. His adventurous spirit led him to the Mountain West.

Moes said his adage has always been "Hey, let's try it. We've done New York, let's go somewhere else. Let's go try something different." Different is what he got.

When Moes first arrived to the sleepy college town of Logan, he was a little disheartened. From what he could see, the only music happening in the valley was that being sung by church choirs, and the Utah Opera Festival.

Moes attended a party one evening and met Robert Linton, a Logan native. Linton had been asked to add some atmosphere to the party by playing some songs on guitar, and Moes couldn't help but be impressed. After Linton's set wound down, Moes approached him about recording and told him about the business he wanted to start up. Being an insider to the local music scene, Linton said he was intrigued and optimistic about the possibilities.

In April 2008, a space was found, building renovations were undergone, and construction on a recording studio began. It was the birth of Why Sound.

To celebrate the beginning of the new business, Linton suggested they hold a small concert in the front room featuring a few local groups. After the show, the bands expressed interest in playing there again. Moes agreed to set up another gig, and soon local musicians caught wind. What started as a celebratory performance turned into something much larger, and the accidental success became exponential. More and more bands started coming by, wanting to play at the new venue.

"I can tell you now that we're booked all the way through August, and it's not even May yet," said Linton.

Neither Linton nor Moes anticipated the business to see such success as a venue, and not solely a recording studio.

"What really surprised me was the level of talent around here. I thought it would just be a small hick town, but it's really blown me away," said Moes, "I've learned now that you don't see the music scene in Logan until you jump into it."

The business would eventually add "music venue" after its title, Why Sound Recording Studio. The mission and service offered by Why Sound is now two-fold.

"This is a place where anyone can share their music," said Linton, "Whether they're recording their music to be shared on CD, or they're putting on a live performance."

The opportunities Why Sound grants to local musicians have already helped to develop a reputation for the business within the community, and beyond. Moes said that despite the its relatively small size, Why Sound attracts musicians partly because it's run by musicians who understand that side of the business. The business has set a policy to never turn anyone down who wants to play, and musicians feel welcome there.

"When bands have fun they play better, they do better, and they can build their crowd because they're having a good time," said Moes.

With the new found success, come certain challenges as well. The company struggles to successfully manage its recording capabilities without losing the momentum it has gained through booking different bands.

Regardless, the two music lovers remain optimistic about the challenges, and look forward to the coming months. Musicians enabling music.

"That's what it's all about, just being passionate about the music," said Linton.

MS
MS

 

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